I was reading a story last night about a primary school teacher in Alaska, who one day turned to the vast expanse of snow outside the window and asked her class, ‘what colour is it?’ The class — of mostly 10 year olds– said rather smugly, ‘it’s white, Miss.’ But she would have none of it. She looked at the snow, and said, ‘what colour is it?’. And it took a long time before someone realised that it was in fact blue (and purple, and grey, and black…).
The original, better told story is below the fold.
Then this morning a good friend emailed me after reading the blog for the first time. This friend has known me since I was twelve. She’s been a part of a lot of key transitions in my life. And yet, she read the blog and saw things that surprised her. It wasn’t the ‘me’ she was used to.
And it made me wonder — how often do we miss what’s right in front of our eyes with the people we care about? How often do we get used to thinking that the snow is white, so that we never notice if the light changes and it becomes blue or purple or grey?
And how often do we encourage the idea that the snow is white, because it’s easier than explaining how the shades of blue came about, or learning how to see each other again when the light has shifted.
There’s an odd dynamic to long standing friendship — the people who’ve known us the longest, but who aren’t always around enough to see who we have become. When I think about my closest friends, my oldest friends, I have no doubt that they know me. They can see to the heart of things quickly, understand mood and nuance, and strip away any mask that appears. Maybe it’s that cutting to the core of things that makes the appreciation of changing hues difficult.
And in the end, I wonder which is more true:
is the snow white or blue?
The original story is below.
No joy. By this time, I had a small pool of water — just enough to make the inner lining of the font start peeling– and I decided that the thing to do was to poke at the drain. There is a handy drain-poking-paintbrush in the back vestry. So off I went. Only to find that the paintbrush, when pushed gently down the font drain, encountered solid stone three inches down.