as promised, and at long last… (and at last, long…)
On the night of my institution, as I read out the legal bits required for my licencing, the bishop might just have noticed a small stumble, a choking on words, as I read aloud and remembered that I would have to give my assent to the prayer book. It wasn’t quite as bad as the time when — as we processed down the aisle — the bishop of Coventry said to me “you know I’m about to ask you to consent to the 39 articles, don’t you?”, but still, I stumbled.
Each time this happens, I don’t have time to stop and think about the niceties of ‘consent’, ‘assent’, and the like. And then, when it’s over, I banish the thought, only to get caught out again the next time.
For you see, while I can affirm the place of these documents in the history and tradition of the church, they were never part of my formation. Had any of my DDO’s, PDO’s, selectors stopped me and said ‘you know you’ll have to agree to the prayer book, don’t you?’ I might well have hopped back on the train, or even the plane, and sought a life elsewhere.
I realise that may sound extreme. But honestly: if all we had were the 1929 prayer book, I doubt I ever would have considered ordination nor even found a vision of God worth living for.
Which is not to say that I think that the prayer book is untrue. No, I’m not quite so foolish. But I think it is terribly limited, and never more so than in the 1662 English Communion Office.
(oh dear… I can almost hear the shrieks of ‘heretic’)
The problem is that the 1662 rite — or rather, the 1552 before it– is shaped so very definitely in the crucible of Reformation wrangling. Mustn’t risk anything that implies that there is a real offering here, lest someone mistake it for sacrifice: so lets break the offering up into a thousand pieces, and lose any hope of a coherent shape to the liturgy. Oh, and confession? Well, it must be public, and frequent: a bit of penance here there and everywhere just to be safe.
Truly, I am trying to find sense in it. Continue reading “on Cranmer, Dix & Mayhew” →